A few days ago I posted a link to a review I wrote of a depressingly bad book.
Yesterday I edited
that post to reflect the fact that the review was being retracted from the web site.
The author had felt personally attacked by my review and threatened the site owner with legal action. The site owner made the correct decision, not to cave to the demands of an immature, unprofessional author, but to protect the review site, which provides a service to readers by posting un-fluffy reviews of GLBT books. The site owner also went to bat for me, and left it up to me whether to pull the mention of the review from my LJ. I did so partly because even though the author of the book didn't feel he could let his book stand on its slender merits, I felt my review could. It's my opinion, not my soul. The other reason was purely (perhaps cravenly) pragmatic: every minute I give to this author is a minute of my life I'll never have back. I'm not young enough to be cavalier about that.
Anyway, all this kerfuffle has got me thinking about a couple of things I read in periodicals recently.
Writer's Digest has an
article in the current issue about the GL publishing market.
In July's issue of The Gay and Lesbian Review Worldwide David Bergman did an
opinion piece that suggested several ways to think about queer literature as art, social activism, politically charged, and economically viable.
So there's a disconnect between the economics of publishing and the cultural potential of queer literature. I am shocked, I tell you.
What *does* shock me, however, is that with all the wonderful stuff out there that deserves to be read, I'm spending time thinking about a hackneyed, stereotype-riddled, clock-unwinding, oppressor-within glorifying, self-indulgent dreck-fest. Did I mention I'm not getting any younger?